projet de licence 2020
esmod paris
La collection a été inspirée par le film "Babettes Gaestebud" ou "Le festin de Babette", réalisé par Gabriel Axel en 1987. L'évolution de l'état d'esprit des invités pendant la scène du festin a été jugée fascinante, et l'on a voulu capturer ce sentiment dans la collection. Les convives commencent par être fermés d'esprit et réfractaires au plaisir de manger, mais au fil du repas, leur attitude change et ils deviennent plus joyeux et plus ouverts d'esprit.
Pour souligner le contraste entre l'austérité et le plaisir, on a joué avec des tissus unis et des mailles en mohair, et des couleurs sombres et vives ont été utilisées pour créer un contraste saisissant. Chaque pièce de tissu a été finie avec un torchon de cuisine pour rappeler la préparation du festin, un élément important du film.
À la fin du film, les héroïnes, qui sont de vieilles femmes protestantes, s'occupent du village et montrent une belle image d'elles-mêmes, robustes et indépendantes. À travers cette collection, il s'agissait de montrer que les femmes aux goûts simples peuvent être féminines sans avoir à montrer leur corps.
The collection was inspired by the film "Babettes Gaestebud" or "Babette's Feast," directed by Gabriel Axel in 1987. The evolution of the guests' minds during the feast scene was fascinating, and we wanted to capture this feeling in the collection. The guests start closed-minded and resistant to the pleasure of eating, but as the meal progresses, their attitude changes, and they become more cheerful and open-minded.
Plain fabrics and mohair knits were played with to emphasize the contrast between austerity and pleasure, and dark and bright colors were used to create a striking contrast. Each piece of fabric was finished with a kitchen towel to recall the feast's preparation, an essential element of the film.
At the film's end, the heroines, old Protestant women, take care of the village and show a beautiful image of themselves, robust and independent. Through this collection, we wanted to show that women with simple tastes can be feminine without revealing their bodies.
Plain fabrics and mohair knits were played with to emphasize the contrast between austerity and pleasure, and dark and bright colors were used to create a striking contrast. Each piece of fabric was finished with a kitchen towel to recall the feast's preparation, an essential element of the film.
At the film's end, the heroines, old Protestant women, take care of the village and show a beautiful image of themselves, robust and independent. Through this collection, we wanted to show that women with simple tastes can be feminine without revealing their bodies.
collection principale
process photos tricot à la main
